STARTLING LIKENESSES, INTO REALISTIC AMERICAN ART TRADITION – John Singleton Copley: Sophisticated English paintings and penetrating realism of American Boston people portraits

The greatest and most influential painter in colonial America

Visitors seeking to show off a piece of Boston can head to get themselves a unique memory to take home: you have to have seafood. Try New England clam chowder and lobster rolls. Row34 sells lobster roll kit, clam chowder, and lobster tortellini. From historic sites and erudite museums to stunning views, the top things to do in Boston include a walk the Freedom Trail, a journey around the city is numerous historic landmarks. Boston Museum of Fine Arts has an excellent collection of paintings and artefacts, including the Copley family, an oil painting by John Singleton Copley.

Born in a July day 1738 in Boston (Massachusetts), he died in London (England), into a September day 1815. American painter of portraits and historical subjects, John Singleton Copley was acclaimed as the finest artist of colonial America. Went beyond portraiture with his European ambitions, because was eager to make a success in historical painting. With his 1778 Watson and the Shark, he used the struggle of man against nature, great themes of 19th-century Romantic art.

Influenced by a Rococo portrait style, he made use of the colors to portraying the subjects with the objects associated in his daily life. Developing personal vocation, John Singleton Copley gained familiarity with graphic art from his stepfather, discovering that his skills were most pronounced in the genre of portraiture. Conveying a sense of physical directness, his portraits revealed his New England subjects. All his sophisticated English paintings they lacked the penetrating realism of his Boston portraits.

Employed with commissions from the Boston bourgeoisie, he wanted to test himself against the standards of Europe, exhibiting his Boy with a Squirrel at the Society of Artists in London. Reinforcing the Anglophilia desired by many of his patrons, John Singleton Copley have insert English references into his portraits. He did not venture out of Boston, but when local political conditions began to deteriorate, he left the country in 1774, never to return. Orchestrating marketing-prints and exhibitions of his own work to mass audiences, he had become also one of the pioneers of the private exhibitions. He had come to define a realist art tradition in America, through his likenesses of persons and things.

John Singleton Copley wife, together children and other family members, arrived in 1775 in London, where he established residence in 1776. Producing about 350 works of art, he was the greatest and most influential painter in colonial America. For the work of artists, his visual legacy extended throughout the nineteenth century in the American taste.

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