Marshall Arisman, the illustrator with provocative and violent works

In this article we will tell you about Marshall Arisman, an illustrator, American painter, storyteller and educator who has left us stimulating insights through his work, which we invite you to explore further through the files of some of his famous works. A special grandmother had taught him to find the midpoint between good and evil, so this exposure to spiritualism left a strong influence on his art. His creative horizon explores the intersection between spirituality, primordial connections with the environment and the darkest aspects of human existence. His artistic legacy continues to challenge us, so we wanted to create a series of AI images for you that will tell you about him.

Marshall Arisman‘s artistic vision included sculpture, video, and anything that expanded consciousness of an external reality through the senses. Permanent collections of his work can be found at the Brooklyn Museum, the Smithsonian, and the Museum of American Art. His paintings have been featured in solo exhibitions in the United States, Europe, and Japan. He explored the themes of nuclear annihilation and reading auras. In 2009, he created the multimedia work The Last Tribe Born in Jamestown, New York in 1938, he was an American painter whose artistic career was shaped by a number of unique influences and experiences.

After graduating in advertising art in 1960, thanks to a scholarship Marshall Arisman he traveled and studied in Europe, later working as a graphic designer at General Motors. His grandmother lived in a community that called itself the center of spiritual healing, and this interest helped shape his artistic vision. His pictorial style, dark and otherworldly, concretized figures in tormented postures, with torn flesh, blood and violent force, painted with soft brushstrokes on dark and shadowy backgrounds. One of his most controversial works, The Curse of Violent Crime, was a cover created for a magazine that represented the death penalty: disturbing for those who observed it, for the artist it was simply the reflection of the voluntary action of violence in daily reality.

In 2008, he released Cobalt Blue, the album of his stories. In Miami, four years later he exhibited a series of oil paintings partially based on Quechua religious rituals. Marshall Arisman was an extraordinary storyteller, whose existential parable left a significant imprint on the world of art and illustration. Marshall Arisman addressed a variety of themes in his works. Some of his favorite, recurring subjects include scenes of violence and predation. Frozen Images, his 1974 work, reflected personal, environmental and media violence. His illustrations and paintings often depict figures against dark and shadowy backgrounds.

One of his works from 2008, Charging Buffalo, while maintaining an expressionist style, interprets reflections on primordial connections with the environment and with a regenerative life force. Among his artistic influences are André François, Goya, Velázquez, Francis Bacon, Lucian Freud and primitive art. Marshall Arisman started with cows, deer, firearms and psychic phenomena. These topics have remained a constant source of inspiration for him over the decades. To broaden your horizon of knowledge about other painters, you can type The sole purpose of this site is to spread the knowledge of these artists and that other people enjoy their works. The property of the images that appear in this blog correspond to their authors.


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