EMIL JAKOB SCHINDLER (1842/1892), AUSTRIAN PAINTER – Landscape painter
GUIDO CAGNACCI (1601/1663), ITALIAN PAINTER – Painter of the Baroque period, by use of chiaroscuro and sensual subjects
A WOMAN CALLED TINA – The first painter Post / Impressionist art history
TINA BLAU 1/3 – “If you really want to become an artist, you have to learn to surmount problems”. This is what Simon Blau wrote to his sixteen-year-old daughter, who was on a study trip in Transylvania. She owed her successful career partly to her father, who lived out his own artistic dreams through his daughter, providing all the support necessary …
Read More »TINA BLAU (1869/1916), AUSTRIAN PAINTER – When allows the paint the way to hover over the canvas
THE GODFATHER OF A NEW FORM OF POP ART
BANKSY 1/3 – He is the godfather of a new form of pop art, that originated on the street. He used a foundation created by peers, to spread powerful messages using accessible street art. Banksy’s artwork, has been seen across the world. https://www.youtube.com/watch?v=INPxijwS3AY His travels have included Israel and Jamaica, Australia and England, the United States and even Canada. Arguably …
Read More »THE STREET ART OF AN UNKNOWN ENGLAND PAINTER – Starting to paint around Bristol and London, signing himself Banksy
HUGO URLACHER (1958), ARGENTINIAN PAINTER, ENGRAVER, STAINED GLASS ARTIST – “Imaginary Chrysalis”
Note: The intellectual property of the images that appear in this blog correspond to their authors and to those who have given them. The sole purpose of this site is to spread the knowledge of these painters and that other people enjoy their works.
Read More »HUGO URLACHER – vocation is a vital mission … In my case it is “being a painter”
HUGO URLACHER 1/5 – he was in 1958 in Buenos Aires,Argentina, as a descendant of German and Spanish immigrants and still lives there. He began to paint in 1982, 24 years old. He was self-taught painter, searching for his own way of “being artist” for long time. It seems he has inherited the character of three cultures: the depth of …
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