A PIONEER OF THE SOUTH KOREAN MODERN ART – Park Rehyun: it is not difficult to have art in mind

If you study traditional paintings in pursuit of art

In 1958, she said it is not difficult to have artistry within your mind, because when a precious flow begins to move with your emotions it is a sign the world of art brings to your minds. On the 100th anniversary of her birth, a retrospective was present at the Deoksugung National Museum of Modern and Contemporary Art. Born in the city of Jinnampo (Pyongan), Park Rehyun https://www.artforum.com/preview/park-rehyun-83597 graduated in 1937 and entered the Tokyo Women’s School of Fine Arts in 1941. After marrying a famous artist in 1946, she presented her work in various exhibitions, using oriental materials created Western-style artwork. After marrying, she tried to balance her domestic life with her artistic career. She realized that, by expanding one’s methods of expression in surprising ways, technique had be enhanced her artistry.

In the 1960s, she visited Taiwan, Hong Kong and Japan, witnessing the tide of abstract art. She tried to find inspiration from daily life, also while raising her four children. Her second solo exhibition was in 1974, when she presented her works with her husband. She was one of the most innovative artists of the twentieth century. Rejecting prejudices against women, Park Rehyun has become a true pioneer painter, with her own working method that has materialized sensual tones and fine images. She died of illness in Seoul, in her residence in the Seongbuk district. https://www.mmca.go.kr/eng/exhibitions/exhibitionsDetail.do?exhId=202001140001249

Contemplating Korean beauty and Western modern art, she has constantly explored her own creative path, receiving attention, regardless of her husband’s artistic fame. In the 1940s, Park Rehyun http://www.artnet.com/artists/park-rehyun/ focused on Japanese paintings and those involving figures. The 1950s saw her working with traditional materials of oriental painting, producing semi-abstract paintings that interpreted her way of perceiving cubism. Relating to the 1960s, she experimented with abstract art, while in the 1970s she turned her attention to printing and creative drawing. Around Africa, she discovered the beauty of indigenous craftworks and ancient artifacts from various regions.

Seeking to escape limitations about Korean use of paper art, she became fascinated with very detailed and concrete different printmaking techniques. Her ink-and-wash painting, centered on color fields, differentiating from her husband signature style. Rehyun Park https://baikart.com/blog/2021/1/13/spotlight-park-rehyun made its artistic debut in a 1943 art exhibition. After gaining widespread attention, it received the first prize at a national art exhibition of Korea. He participated in art exhibitions until the early 1960s, including the São Paulo Biennial, visiting some Latin American countries on that occasion. After staying in Mexico, she in New York City she dedicated herself to the deepening of the techniques inherent in tapestry and engraving.

To broaden your horizon of knowledge about other painters, you can type http://meetingbenches.com/category/paintings/. The sole purpose of this site is to spread the knowledge of these artists and that other people enjoy their works. The property of the images that appear in this blog correspond to their authors.


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