During the Eighty Years’ War, he loses contact with his parents, and a painter – Pieter Pietersz – has become his first teacher. In those years, he could not know that he would become a famous painter of the Mannerist school of Haarlem, painting large canvases in biblical or mythological subject, often with stylized characters, and even in grotesque poses. …

He is the artist who had created an artistic workshop in Wittenberg, introducing important changes in the pictorial landscape of his time, and with the colors also representing the nude and eroticism, with an extreme attention to detail. His desire to change, become pictorial reality, where everything that is not traditional, sensuality, charm and the pleasure of life, hovering lightly, …

Lucas Cranach the Elder, was friends with all of the big hitters of his Renaissance Germany: painter Albrecht Durer, reformist Martin Luther, and the various Electors and Emperors for whom he painted. Apart from being a very successful painter, he was a estimable businessman. The Three Graces (small tempera on panel, which measures 37×24 cm), was painted by him around …

Cornelis van Haarlem, Dutch Golden Age painter and draughtsman, was one of the leading Northern Mannerist artists in The Netherlands, and an important forerunner of Frans Hals as a portraitist. There was the year 1594, and he painted an oil on convas (height 77.5 cm, width: 64 cm), writing on the left, monogram and date: CCH 1594. It was born …

THE ELEVENTH SONNET TO BEAUTY O ripe bosom white that steadily before mine eyes, so dearly drifts, like the clear reflection, at the source of the Rhine of the purest snow. Ah but your shimmering, o weak eyes doth impair! With chaste milk appear there laden, two silver covers round, on top of both a ruby, which like small apples …

THE SHIP OF FOOLS, INTRODUCTION Knowledge of trouth, prudence, and iust symplicite hath vs clene left. For we set of them no store. Our Fayth is defyled loue, goodnes, and Pyte: honest maners nowe ar reputed of, no more. Lawyers ar lordes, but Justice is rent and tore. Or closed lyke a Monster within dores thre. For without mede, or …

“The Last Supper” is a mural painted on plaster, in tempera, chalk, glue and pitch. In Milan, around 1495, Leonardo da Vinci has embellished a large wall (460 × 880 cm), in the former refectory of a convent, adjacent to the sanctuary of Santa Maria delle Grazie. What you see, you are inspired by a Gospel passage of John, the …