MARCEL DUCHAMP 2/3 – During the next few years, he passed rapidly through the main contemporary trends in painting. He was outside artistic tradition, not only in shunning repetition, but also in not attempting a prolific output or frequent exhibition of his work. In 1911, did he begin to paint in a manner that showed a trace of Cubism. To an exhibition in 1911 he sent Portrait Dulcinea (which was composed of a series of five almost monochromatic, superimposed silhouettes).
MARCEL DUCHAMP 3/3 – He is considered one of the leading spirits of 20th-century painting. With the exception of the Nude Descending a Staircase, No. 2, however, his works were ignored by the public for the greater part of his life. Until 1960 only such avant-garde groups as the Surrealists claimed that he was important, while to “official” art circles and sophisticated critics he appeared to be merely an eccentric and something of a failure. Duchamp died peacefully in the early morning of October day at his home in Neuilly-sur-Seine, France.
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