He has exhibited his work internationally. He was born on Geoje Island (South Korea) in 1956, becoming active photographer since the mid-1980s. While water becomes clouds by evaporation, and becomes the life of the ground by rain, for ATTA KIM https://web.archive.org/web/20071103024145/http://www.icp.org/site/c.dnJGKJNsFqG/b.1706759/k.9A54/Atta_Kim_OnAir.htm, ice is a fascinating material that reflects between infinite and finiteness. It tells the basic rule of world: nothing is eternal. Ice becomes water, and water becomes life.
Every single existing being in the universe will eventually disappear. So, he tried to compare this concept to the nature of photography. As prolific artist, he stands at the forefront of the Korean art scene. His work constantly seeks to push the boundaries of photography, as a medium. Through the lens of Zen Buddhism, ATTA KIM https://aperture.org/shop/the-museum-project-3589/ explores photographically notions of identity, time, and existence, drawing influences from a variety of different schools of thought.
He employ very long exposures to make all the moving objects within a scene disappear. To emphasise the value of existence, he use long exposure, superimposing and ice as an object. For him the work of art exists as memory, whereTime makes everything alive or dead. ATTA KIM https://www.hatjecantz.de/atta-kim-2283-1.html feel a round stone is the face of round time, while a broken stone is the face of broken time. A stone, a tree, and youself are the face of time.
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