Inside that room, originally used by Pope Julius II in the library and private study, will welcome you the famous frescoes by Raphael. Admiring what is before your eyes, you admire the True, the Good and the Beautiful, just like half a millennium ago in time. In fact, the iconographic program of the frescoes was to represent those three expressions of the human spirit. Plato is the fresco on the left (with the face of Leonardo da Vinci), exponent of idealism. On the right, Aristotle points the finger at you to indicate the existing reality. The first floor houses Pythagoras and Heraclitus (sitting on the stairs, with the features of Michelangelo). The composition is symmetrical, but the characters are arranged freely in the large room, bathed in light colors, enhanced by a bright light.
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