PAINTERS

LULA CARDOSO AYRES (1910/1987), BRAZILIAN AVANTGARDE PAINTER – Birds, emus and bulls between Abstractism and Figurativism

MANY PATHS OF CREATIVITY

LULA CARDOSO AYRES 1/3 – He was born in Recife in 1910, spending his childhood on family farm. Already at the age of 12, he began painting studies with a German painter, his fellow citizen. In 1925, he went to Paris, visiting museums and devoting himself to study various modern artistic trends. When five years later he returned to Brazil, he settled in Rio de Janeiro, illustrating books and painting theatrical scenery. Throughout his life his creativity found expression as painter and photographer, designer, muralist and set designer.

https://www.youtube.com/watch?v=zF1udQ4XbhY

LULA CARDOSO AYRES 2/3 – He returned to Pernambuco, where he participated in the exhibition of Afro-Brazilian paintings held in Recife in 1934. This commitment represented the re-approach of black and Iberian culture, even in visual representations. Since 1944 he spent full time with painting, making murals in Recife and Sao Paulo, Salvador, Boulder and Maceio. For his first mural he was commissioned by a doctor for the clinic Piazza Chora Menino, Boa Vista. In the early 1950s his production was again abstract. Between 1951 and 1955 was present at the biennials of St. Paul. https://www.youtube.com/watch?v=ghXuC_cC0e4

LULA CARDOSO AYRES 3/3 – Since the mid-1970s, he painted with acrylic paint imaginary animals (such as birds, emus and bulls), using strong colors and big black lines, which formed animals. Looking at the totality of his artistic production, we can distinguish between an abstract and a figurative phase (predominantly inspired by countryside landscapes and human types). He was also a professor at the School of Fine Arts (University of Pernambuco) for 25 years. He died in Recife at the end of June 1987. He held personal exhibitions in San Paolo Museum of Art, the Museum of Modern Art (Rio de Janeiro) and Museum of Modern Art in Bahia, on the occasion of 150 years of Brazil’s independence. https://www.youtube.com/watch?v=D5w4xd2iSmw

The intellectual property of the images that appear in this blog correspond to their authors. The sole purpose of this site, is to spread the knowledge of these painters and that other people enjoy their works. To pursue this issue, you can digit: http://meetingbenches.com/2017/06/brazilian-art-trip-musical-schades-novel-five-pictoryal-style-hildas-poems/

Meeting Bench

Recent Posts

TRACES UNDER THE SKIN

Identity as a poem in continuous evolution Identification is never a final destination, but a…

6 days ago

ASTONISHMENT, A CONTINUOUS AND DEEP SEARCH FOR MEANING

The spark that triggers a path of introspection and inner transformation The title “ASTONISHMENT” immediately…

1 week ago

IN THE WIND

Reflections on waiting and the transformative winds that push you forward Minimalist poetry, with its…

1 week ago

IN THE DEEP

If you don't know sadness, you can't have deep thoughts Depth is a multifaceted concept…

1 week ago

THE UNEXPECTED MAJESTY OF THE WORLD

James Hamilton-Paterson: When life is a Pilgrimage His early work reflects a youthful optimism and…

1 week ago

FUTURIST DYNAMISM AND EXPRESSIONIST COLOR BOLDNESS

Amadeo de Souza-Cardoso: synthesis of the pictorial currents of the early twentieth century "Amadeo de…

2 weeks ago