ARTURO MICHELENA 2/3 – In 1897 he decided to return to los Teques and attempts to recover a health deteriorating every day. It then receives latest assignments of his career by the Church, the multiplication of the loaves and fish and last supper, work that will leave unfinished. He also developed other genres for which is not so well known (in which met the numerous commissions he received from Venezuelan families), ranging from light and decorative flowers hung in the halls of some caraqueñas houses, even some landscapes (such as sailor made for Torres Cardenas) family.
ARTURO MICHELENA 3/3 – Along with the public and official works, Michelena rested his hand on that series of small social orders, because everyone wanted to have some sample teacher. At the end of nineteenth century Venezuela, so far from the iconoclastic pictorial subversion of other latitudes, Michelena emerged as the highlight of his contemporaries.
You can see more on Meeting Benches, looking for http://meetingbenches.com/2016/08/arturo-michelena-18631898-venezuelan-painter-the-extraordinary-talent-for-drawing-and-color/
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